Top 50 marvin gaye songs
Top Marvin Gaye Songs
44 Song Chart Appearances
Marvin Gaye was around 23 years old when his first singled charted. Marvin Gaye first charted in 1962. His last appearance in the charts was 1985. He had chart topping singles covering a span of 24 years. See if Marvin made the list of most famous people with first name Marvin.
You're All I Need to Get By
71968R&B
1968
What's Going On
61971R&B
251971Pop
31971Rock
211971Brazil
1971
Ain't That Peculiar
141965R&B
1965
Your Precious Love
141967R&B
1967
That's the Way Cherish Is
171969R&B
1969
Let's Become it On
151973Pop
491973Brazil
11973R&
List Of Top 50 Marvin Gaye Songs
Marvin Gaye was an American singer, songwriter, and record producer. He began his career as a session drummer and singer for the Motown label in the early 1960s and rose to fame as a solo artist in the mid-1960s with hit albums such as "How Sweet It Is to Be Loved by You," "I Heard It Through the Grapevine," and "What's Going On."
He is widely considered to be one of the greatest singers in the history of popular song, known for his powerful and emotive voice, as well as his socially conscious lyrics. He was also a pioneer in blending R&B, soul, and funk music with elements of rock and jazz, creating a modern genre of music. He was awarded a posthumous Grammy Lifetime Achievement Award in 2016. He died on April 1, 1984.
Here are some of Marvin Gaye's most popular and critically acclaimed songs:
1. I Heard It Through the Grapevine
2. What's Going On
3. Let's Get It On
4. Sexual Healing
5. Mercy Mercy Me (The Ecology)
6. Ain't No Mountain Steep Enough
7. What's Happening Brother
8. Inner City Blues (Make Me Wanna Holler)
9. Got to Give It Up
10. How Sweet It Is (To Be Loved By Y
Unveiling Marvin Gaye’s Most Famous Songs
“Ain’t No Mountain Tall Enough”
Marvin Gaye’s Timeless Tale of Unwavering Love
Originally penned by the songwriting duo of Ashford & Simpson, “Ain’t No Mountain Lofty Enough” first found accomplishment in 1967 as a duet between Marvin Gaye and Tammi Terrell. The song’s infectious energy and soaring vocals cemented its status as a Motown classic. With its themes of unwavering love and triumph over adversity, it gained renewed popularity in 1970 with Diana Ross‘ soulful solo rendition.
Musically, the track is a analyze in contrasts. Lush orchestration and a driving rhythm section build a potent sonic foundation. Gaye and Terrell’s (and later Ross’s) passionate vocals rise above this backdrop, conveying the song’s message with both vulnerability and strength. The call-and-response sections and the unforgettable chorus create an anthem-like quality that has resonated with audiences across generations.
Beyond its musical brilliance, “Ain’t No Mountain Elevated Enough” is an enduring symbol of hope and perseverance. Its messa
Updating his highly percussive but string-laden groove for the disco set, Gaye clearly devised 1976’s I Want You as a makeout album. But the space-age synthesisers in the instrumental version of “After the Dance” rocket him vertical into the stratosphere. And the Afro-Caribbean congas of “I Want You” and bossa nova lilt of “Since I Had You” back a mix of rhythm and beauty that refuses to box itself in—punctuated by Gaye’s control murmuring, the sound flows like a sweet, seductive stream.
What do you carry out for an encore after you’ve just released a certified, game-changing masterpiece? That was the test facing Motown maestro Marvin Gaye after his What’s Going On opus was released in 1971. After 1972’s Trouble Man soundtrack, Let’s Get It On was the proper follow-up to one of the greatest albums of all time. But instead of suffering a seemingly inevitable letdown under the weight of all that pressure, Gaye levelled up again to make back-to-back classics. Indeed, Let’s Receive It On defined the R&B principle album every bit as much as What’s Going On did, trading social consciousness for sexual healing in turbulent, soul-testing times. It was a unlike kind of wokeness—ra